Alumni bookshelf

By Jennifer Rushworth (2005, Modern Languages)

In Proust’s Songbook, Jennifer Rushworth analyses and theorizes the presence and role of songs in Marcel Proust’s novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust’s opus. Her work analyses the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs’ significance by paying close attention to their lyrics, music, composers, and histories.

Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust’s novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust’s juxtapositions of songs with meditations on the notion of ‘mauvaise musique’ (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art.

According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche—especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust’s novel as songs of farewell—noting that to sing farewell is a means to resist the very parting that is being expressed—and demonstrates how songs, in formal terms, resist the forward impetus of narrative.

By John Waygood (1962, Modern Languages)

This is a light-hearted and illustrated account of the experiences of a British baby-boomer and his family in coping with the cultural differences living in continental Europe.

The account covers the period of 50 years from 1973, when Edward Heath took the UK into the ‘Common Market’. The author recounts what it is really like to integrate in four different European countries and draws contrasts with life in the UK and the US.

Interesting after-effects of WWII are a recurring theme and are treated sympathetically as well as leisure activities, which are enthusiastically described. The surprises and the joys of life in Switzerland, the country in which the author’s family has settled, are recounted with special loving care.

The author tries to allay any suspicions which Brits may have harboured against our continental neighbours. He maintains that we should, on the contrary, treat them as close friends and concludes with an appeal for deeper trust and co-operation between the members of geographical Europe.

By Michael Wolraich (1992, Visiting Student in Philosophy)

“The 1931 murder of ‘Broadway Butterfly’ Vivian Gordon exposed an explosive story of graft, corruption and entrapment that went all the way to the top of the state. Wolraich brings a journalist’s eye and a novelist’s elegance to this story of Jazz Age New York.”

— New York Times (Editor’s Choice)

Vivian Gordon went out before midnight in a velvet dress and mink coat. Her body turned up the next morning in a desolate Bronx park, a dirty clothesline wrapped around her neck. At her stylish Manhattan apartment, detectives discovered notebooks full of names—businessmen, socialites, gangsters. And something else: a letter from an anti-corruption commission established by Governor Franklin Delano Roosevelt. Led by the imperious Judge Samuel Seabury, the commission had uncovered a police conspiracy to frame women as prostitutes. Had Vivian Gordon been executed to bury her secrets? As FDR pressed the police to solve her murder, Judge Seabury pursued the trail of corruption to the top of Gotham’s powerful political machine—the infamous Tammany Hall.

By Nancy Epton (2016, English)

The Sound of Silence: Ryan Gosling, Expressionism and the Silent Hero in 21st-Century Film explores how non-verbal communication in film, shown primarily through the acting of Ryan Gosling, provides an expressive space in which passive audience viewing is made more active by removing the expository signifier of dialogue.

The German Expressionist era may have been brief, but the shadows cast since its end nonetheless loom large. The silhouetted, cigar-wielding men of film noir and their respectively dark, doom-laden haunts mirror the angst-inducing atmospheres of their forebearers, while also introducing the now-familiar figure of the silent hero. Considering the numerous silent hero actors in film history, there’s one that stands out in the 21st century like no other: Ryan Gosling. His later career has seen some of the most iconic silent heroes of the past decade, with films such as Drive, Only God Forgives, Blade Runner 2049 and First Man cementing him as the go-to guy for a monosyllabic, taciturn and moody hero whose actions speak louder than words.

This book argues that it is Gosling’s expressive capabilities that keep audiences compelled by his performances. With the use of non-verbal silence – combined with its counterbalance, sound – a more active, emotive audience response can be achieved. Looking further into this idea through theorists such as Michel Chion and Susan Sontag, the book demonstrates that the sound of silence is one of the most meaningful cinematic sounds of all.

By Owain Raw-Rees (1978, Theology)

This book is neither a history of Ethiopia nor a series of biographies of the rulers described – such has been more properly attended to by more qualified persons elsewhere. My role has been that of an antiquarian – a person who studies or collects old and valuable or rare objects. I have not directly accessed any primary sources, but I have had the good fortune, often online, to be able to refer to a wealth of published material – articles, collections, biographies, histories, studies, reports and websites from which I have been able to extract and collect the many references to the Order of the Seal of Solomon.

From Emperor Tewodros II and the siege of Magdala, through the reigns of Yohannes IV, Menelik II, Iyasu, Zawditu and Haile Selassie I, this book traces the origins of the Order of the Seal of Solomon and its development into the premier award of the nation. Profusely illustrated with colour and black and white images, this 200 page hardback book is a definitive record of the Order. Also included are informative appendices concerning the origins of the Order of the Star of Ethiopia, and details of the Imperial Family Order and the Order of Negus Mikael.

Owain Raw-Rees is also the author of Somalia – The Awards of a Fallen State. An attempt to document and display the awards of the Somali peoples from 1950 – the time of the British Somaliland Protectorate and Italian Administration of the United Nations Trusteeship, through to independence in 1960 as the Somali Republic, the 1969 military coup and declaration of the Somali Democratic Republic, to the nation’s collapse in 1991.

By Alexander Chula (2002, Classics)

In a ruined dictator’s palace, Alexander Chula – a classicist-turned-doctor, fresh out of Oxford – stumbles upon an oak treasure chest. Inside is a priceless, antique edition of Julius Caesar’s Gallic War. This unexpected talisman of Western high culture belongs to the mercurial Dr Banda, a man of many parts: scholarly physician, anti-colonial hero, brutal tyrant, and fallen philosopher-king. The story is enigmatic but exhilarating, by turns edifying and deeply uncomfortable. Malawi presents urgent lessons which resonate piercingly in our vexed age of culture wars and identity crisis.

By Tony Jappy (1961, Modern Languages)

This book takes up a number of Charles Sanders Peirce’s undeveloped semiotic concepts and highlights their theoretical interest for a general semiotics.

Peirce’s career as a logician spanned almost half a century, during which time he produced several increasingly complex sign systems. The best-known, from 1903, defined amongst other things a signifying process involving sign, object and interpretant, the universally-known icon-index-symbol division and a set of 10 distinct classes of signs. Peirce subsequently expanded this process to include 2 objects, the sign and 3 interpretants. Uncoincidentally, in the 5 years between 1903 and the final system of 1908, he introduced a number of highly innovative semiotic concepts which he never developed.

One such concept is hypoiconicity, which comprises 3 levels of isomorphism holding between sign and object and, in spite of the mutations these varieties of icon subsequently underwent, offers qualitative analysis as a complement to the traditional literal-figurative binarism in the discussion of verbal and nonverbal signs. Another is semiosis, which Peirce introduced and defined in 1907 but only rarely illustrated. Involving a complex combination of object, perception, interpretation and a medium, this is shown to be a far more complex signifying process than the one implicit in the three-correlate definition of the sign of 1903. Exploring the evolving theoretical background to the emergence of these new concepts and showing how they differ from certain contemporary conceptions of sign, mind and signification, the book proposes an introduction to, and explanations and illustrations of, these important developments.

More books by Tony Jappy

• Regards sur le poème muet : petite introduction à la sémiotique visuelle peircienne, Perpignan : Presses Universitaires de Perpignan, (2010).
• Introduction to Peircean Visual Semiotics, London: Bloomsbury Academic, (2013).
• Peirce’s Twenty-Eight Classes of Signs and the Philosophy of Representation: Rhetoric, Interpretation and Hexadic Semiosis, London: Bloomsbury Academic, (2016).
• The Bloomsbury Companion to Contemporary Peircean Semiotics (General Editor), London: Bloomsbury Academic (2020).

By Iain Mackintosh (1957, PPE) with foreword by Richard Eyre

In this lavishly illustrated hands-on account of the creation of new theatre spaces spanning a century, Iain Mackintosh offers a compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. As the originator of theatre designs as diverse as the Cottesloe in 1977, Glyndebourne in 1994, the Orange Tree Theatre in 1991, the Martha Cohen Theatre in 1985 and the Tina Packer Playhouse in 2001, he discovered why the same show worked in some theatres but not in others.

By Melissa McCarthy (1994, English)

Photo: to do with light. Phyto: plants and flowers. Proto: the first, the original. Nitro: it blows up.

From Troy to Hiroshima, Crimea to the nuclear Nevada desert, we make our tracks over the war-scratched globe, and when we reach a ruin or a destination we read the markings, record them using various forms of photography. Later—or much, much later—someone else in turn will try to understand our silvery traces. These are the threads that Melissa McCarthy follows, unpicks, weaves again into a nexus of light and time: the mirrored silver cells of a shark’s eyeball, sunlight glinting off the foam and sea wrack of the Aegean on flower with corpses, the silver salts of photographic paper, silver grave-treasures at Ur.

Like an archaeologist in her own strange literary landscape, McCarthy cuts through layers of history and technology to realign the dead and their images. She examines both what can be photographed and what remains always just beyond the frame, and photography itself. It’s a practice involving chemicals and the action of light. But it’s also an organising principle for literature and beyond: there are marks made—by us, on us—that we can’t yet fully see or understand, though they push on through to the surface, always re-blooming.

By Professor Anthony Roberts OBE (1971, Medicine)

In the second publication of his memoirs, distinguished surgeon Anthony Roberts recounts his time working as a reconstructive plastic surgeon across a range of disasters and warzones. Initially inspired by his involvement in the Bradford City stadium fire of 1985, Roberts went on to contribute his medical skills to four wars, six disasters, 45 countries, and numerous charitable causes.

All profits from this book will be donated to ‘Restore – Burn and Wound Research’, the charity which Roberts set up 35 years ago.

Buy it here

By Dr Liz Carmichael (1982, Theology)

Peacemaking and Peacebuilding in South Africa examines the creation and implementation of South Africa’s National Peace Accord and this key transitional phase in the country’s history, and its implications for peace mediation and conflict resolution.

It is now 30 years since the National Peace Accord (NPA) was signed in South Africa, bringing to an end the violent struggle of the Apartheid era and signalling the transition to democracy. Signed by the ANC Alliance, the Government, the Inkatha Freedom Party and a wide range of other political and labour organizations on 14 September 1991, the parties agreed in the NPA on the common goal of a united, non-racial democratic South Africa, and provided practical means for moving towards this end: codes of conduct for political organizations and for the police, the creation of national, regional and local peace structures for conflict resolution, the investigation and prevention of violence, peace monitoring, socio-economic reconstruction and peacebuilding.

This book, written by one of those involved in the process that evolved, provides for the first time an assessment and in-depth account of this key phase of South Africa’s history. The National Peace Campaign set up under the NPA mobilized the ‘silent majority’ and gave peace an unprecedented grassroots identity and legitimacy. The author describes the formulation of the NPA by political representatives, with Church and business facilitators, which ended the political impasse, constituted South Africa’s first experience of multi-party negotiations, and made it possible for the constitutional talks (Codesa) to start. She examines the work of the Goldstone Commission, which prefigured the TRC, as well as the role of international observers from the UN, EU, Commonwealth and OAU. Exploring the work of the peace structures set up to implement the Accord – the National Peace Committee and Secretariat, the 11 Regional Peace Committees and 263 Local Peace Committees, and over 18,000 peace monitors – Carmichael provides a uniquely detailed assessment of the NPA, the on-the-ground peacebuilding work and the essential involvement of the people at its heart. Filling a significant gap in modern history, this book will be essential reading for scholars, students and others interested in South Africa’s post-Apartheid history, as well as government agencies and NGOs involved in peacemaking globally.

By David Wood OBE (1963, English)

Between 1959 and 2005, David Wood (‘the national children’s dramatist’) corresponded with his mentor, Frank Whitbourn, teacher, writer, and theatre practitioner. Frank Exchanges opens with a letter from Whitbourn, praising a young Wood following a performance in one of his plays, and documents an almost fifty-year correspondence before Whitbourn’s death in 2005. Wood sent Whitbourn the first draft of every play he wrote, and Whitbourn commented constructively and often came to see and ‘review’ the plays in production.

Kit Yates (2007, Biological Sciences)

This book will teach you how and why predictions go wrong, help you to spot phony forecasts and give you a better chance of getting your own predictions correct. Dr Yates provides numerous notable examples of prediction dos and don’ts to help illustrate his point, from mistakes made during the pandemic to the deliberate miscalculation of the ‘Brexit bounce’.

By Kirk Combe (1983, British Literature)

Since 1980, when neoliberal and neoconservative forces began their hostile takeover of western culture, a new type of political satire has emerged that works to unmask and deter those toxic doctrines. Literary and cultural critic Kirk Combe calls this new form of satire the Rant. The Rant is grim, highly imaginative, and complex in its blending of genres. It mixes facets of satire, science fiction, and monster tale to produce widely consumed spectacles—major studio movies, popular television/streaming series, bestselling novels—designed to disturb and to provoke. The Rant targets what Combe calls the Regime. Simply put, the Regime is the sum of the dangerous social, economic, and political orthodoxies spurred on by neoliberal and neoconservative polity. Such practices include free-market capitalism, corporatism, militarism, religiosity, imperialism, racism, patriarchy, and so on. In the Rant, then, we have a unique and wholly contemporary genre of political expression and protest: speculative satire.

More books by Kirk Combe

• Masculinity and Monstrosity in Contemporary Hollywood Films (Palgrave Macmillan Studies in Global Masculinities, co-authored with Brenda M. Boyle), 2013.
• A Martyr for Sin: Rochester’s Critique of Polity, Sexuality, and Society. Newark: University of Delaware Press. London: Associated University Presses, 1998.
• Theorizing Satire: Essays in Literary Criticism (co-edited collection of essays and co-authored introduction with Brian Connery). New York: St. Martin’s Press, 1995. 

By Liam Thornton (1978, English)

Father Matthew is an ordinary Vicar in an ordinary Parish. He is a Freemason. Our Tale starts in 2019 with some wry humour, as to what Christmas can be like for a Cleric. Then COVID strikes the Nation. Father Matthew’s routine, like that of everyone else, is turned upside down. Soon there is even an official Complaint made against him. A downward spiral starts.

How was the working life of Clergy changed by COVID? How did society change in its’ daily workings? What can stress do to you? Memories are seen as at some times guests, but at other times ghosts. The author hopes that, even given the serious themes, you might have the occasional chuckle.

Liam Thornton is a retired Church of England Priest.

By Sir Anthony Seldon (1973, PPE) and Raymond Newell

In his latest book, the distinguished historian and headteacher goes behind the scenes to map Boris Johnson’s time in power from start to finish and sheds new light on the most divisive Prime Minister to have led the United Kingdom since Thatcher. Based on more than 200 interviews with key aides, allies and insiders, Johnson at 10 gives the first full account of Johnson’s premiership, the shockwaves of which are still felt today.

By John Lahr (1963, English)

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller (1915–2005), the playwright who almost single-handedly propelled twentieth-century American theater into a new realm of excitement. Organised around the fault lines of Miller’s life―his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual―this book demonstrates the synergy between Arthur Miller’s psychology and his plays.

By James Wyatt (1993, Mathematics)

In an entertaining and thought-provoking style, this book considers some controversial topics in a way that shifts attention away from what is right and wrong to highlight the failings in our approach. ‘When our connected world should be bringing us closer together, polarised opinions and dysfunctional conversations are pushing us further apart. The Art of Discussion has never been more important.’

By David Edmonds (1983, PPE)

From the bestselling co-author of Wittgenstein’s Poker, an entertaining and illuminating biography of a brilliant philosopher who tried to rescue morality from nihilism Derek Parfit (1942–2017) is the most famous philosopher most people have never heard of.

By Professor Ayse Odman Boztosun (1995, Law)

The book explains the basic mechanism of rule of law by referring to the relevant provisions of the Turkish Constitution (constitution is called ‘Mother Law’ in Turkish). Originally published in Turkish, the fifth edition has been released as an e-book on Amazon Kindle.

By Sam Shearn (2014, Theology)

The book tells the story of German-American theologian Paul Tillich (1886-1965) and his early theological development from his student days until the end of the First World War, set against the backdrop of church politics in pre-war Germany and with particular reference to his early sermons. Using a wealth of hitherto untranslated German sources, the book explores Tillich’s theological interpretation of religious doubt to present a significantly original, contextualised account of Tillich’s early life in Germany.

By Julian Warner (1978, DPhil English Literature)

The Supreme Court of the United States in Feist v. Rural (1991) required that databases must have a minimal degree of creativity for copyright. The judgment was highly significant and the subsequent period is understood as the post-Feist era. It has been globally influential. However, the decision is extremely complex and remains unsatisfactorily interpreted. In particular, it has been impossible to illuminate the creativity requirement.

The book gives an account of the decision’s conceptual structure, focusing on its full delineation of the opposite to creativity. In a radical and unprecedented innovation, it is correlated with an automatic computational process. Creativity itself is understood as non-computational or directly human activity concerned with meaning. Determining the presence of creativity is reduced to a four-stage test. This work then has acute practical current relevance to property in data in the digital age; it will also be of theoretical interest to, and is aimed at, researchers in, practitioners, and students of intellectual property worldwide.

More books by Julian Warner

• Human Information Retrieval (History and Foundations of Information Science Series). Cambridge, MA: MIT Press. 2010.
• From Writing to Computers. London and New York: Routledge. 1994.

By Perry Anderson (1956, Modern Languages)

The European Union is a political order of peculiar stamp and continental scope, its polity of 446 million the third largest on the planet, though with famously little purchase on the conduct of its representatives. Sixty years after the founding treaty, what sort of structure has crystallised, and does the promise of ever closer union still obtain?

Against the self-image of the bloc, Perry Anderson poses the historical record of its assembly. He traces the wider arc of European history, from First World War to Eurozone crisis, the hegemony of Versailles to that of Maastricht, and casts the work of the EU’s leading contemporary analysts – both independent critics and court philosophers – in older traditions of political thought. Are there likenesses to the age of Metternich, lessons in statecraft from that of Machiavelli?

An excursus on the UK’s jarring departure from the Union considers the responses it has met with inside the country’s intelligentsia, from the contrite to the incandescent. How do Brussels and Westminster compare as constitutional forms? Differently put, which could be said to be worse?

By Richard Flanagan (1984, Modern History)

An ember storm of a novel, this is Booker Prize-winning novelist Richard Flanagan at his most moving-and astonishing-best.

Anna’s aged mother is dying – if her three children would just allow it. Forced by their pity to stay alive, she increasingly escapes through her hospital window into visions of horror and delight.

When Anna’s finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope, love and orange-bellied parrots.

By Glyn Maxwell (1982, English)

Here, there are squibs and satires, lyrics and songs, poems written to family members and in memory of loved ones, a series of poems written by an artificial intelligence that will thrill and disturb in equal measure, and a chance for the blank page to finally speak for itself. But How The Hell Are You is, in its way, also a quietly political book: Maxwell regards poetry as truth-telling, and these poems – in their intimate, unsparing accounts and clear-eyed reckonings – recoil from the lies and fake news of the age to actually ‘tell it like it is’. How The Hell Are You shows a remarkable imagination and mind working at full tilt, and is the most powerful expression of Maxwell’s talent to date.

By Matthew Hall (1985, Law)

‘People sleep peacefully only because rough men stand ready to do violence on their behalf . . .’ For twenty years Leo Black was in the SAS. Now he lectures on violence instead of committing it, putting his soldiering days behind him in pursuit of a respectful academic life. But when a former comrade in arms is killed trying to prevent a scientist’s abduction, Black is faced with an unexpected choice. Be the upright citizen the university demands . . . Or avenge the dead man to whom he owes his life.

By Alice Jolly (1986, Modern History)

Coventry, 1941. The morning after one of the worst nights of the Blitz. Twenty two year old Rose enters a house that has been bombed and finds her best friend dead. Shocked and confused, she makes a decision that will reverberate for generations to come.

More than fifty years later, in modern day Brighton, Rose’s grand daughter Lara waits for the return of her eighteen year old son Jay. Reckless and idealistic, he has gone to Iraq to stand on a conflict line as an unarmed witness to peace.

Lara holds her parents, Mollie and Rufus, partly responsible for Jay’s departure. But in her attempts to explain their thwarted passions, she finds all her assumptions about her own life are called into question.

Then into this damaged family come two strangers – Oliver, a former faith healer, and Jemmy, a young woman devastated by the loss of a baby. Together they help to establish a partial peace – but at what cost?

By Dr Sylvia C. Keesmaat (1989, DPhil Theology) & Dr Brian J. Walsh

Globalization. Homelessness. Ecological and economic crisis. Conflicts over sexuality. Violence. These crisis-level issues may seem unique to our times, but Paul’s Letter to the Romans has something to say to all of them.

Following their successful Colossians Remixed, Sylvia Keesmaat and Brian Walsh unpack the meaning of Romans for its original context and for today. The authors demonstrate how Romans disarms the political, economic, and cultural power of the Roman Empire and how this ancient letter offers hope in today’s crisis-laden world.

Romans Disarmed helps readers enter the world of ancient Rome and see how Paul’s most radical letter transforms the lives of the marginalized then and now. Intentionally avoiding abstract debates about Paul’s theology, Keesmaat and Walsh move back and forth between the present and the past as they explore themes of home, economic justice, creation care, the violence of the state, sexuality, and Indigenous reconciliation. They show how Romans engages with the lived reality of those who suffer from injustice, both in the first century and in the midst of our own imperial realities.

Read more about Dr Keesmaat’s publications

By Toby Litt (1986, English)

Elliott is something of a genius. He is hugely intelligent. He’s an incredible observer. He is able to memorise and categorise in astonishing detail. He has a beautiful and unusual imagination. More than that, Elliott is an ideal friend. He is overflowing with compassion and warmth and fun. To know him is to adore him.

But few people do know Elliott, properly. Because Elliott is also stuck. He lives in a wheelchair in an orphanage. It’s 1979. Elliott is forced to spend his days in an empty corridor, either gazing out of the window at the birds in a tree or staring into a white wall – wherever the Catholic Sisters who run the ward have decided to park him.

So when Jim, blind and mute but also headstrong, arrives on the ward and begins to defy the Sisters’ restrictive rules, Elliott finally sees a chance for escape. Individually, the unloved, unvalued orphans will stay just where they are; together, they could achieve a magnificent freedom – if only for a few hours.

But how can Elliott, unable to move or speak clearly, communicate all this to Jim? How can he even get Jim to know he exists? Patience is a remarkable story of love and friendship, courage and adventure – and finding joy in the most unlikely of settings. Elliott and Jim are going to have some fun.

By Candida R. Moss (1996, Theology)

A path-breaking scholar’s insightful reexamination of the resurrection of the body and the construction of the self. When people talk about the resurrection they often assume that the bodies in the afterlife will be perfect. But which version of our bodies gets resurrected—young or old, healthy or sick, real-to-life or idealized? What bodily qualities must be recast in heaven for a body to qualify as both ours and heavenly?

The resurrection is one of the foundational statements of Christian theology, but when it comes to the New Testament only a handful of passages helps us answer the question ‘What will those bodies be like?’ More problematically, the selection and interpretation of these texts are grounded in assumptions about the kinds of earthly bodies that are most desirable. Drawing upon previously unexplored evidence in ancient medicine, philosophy, and culture, this illuminating book both revisits central texts—such as the resurrection of Jesus—and mines virtually ignored passages in the Gospels to show how the resurrection of the body addresses larger questions about identity and the self.

By Daniela Simone (2007, Law)

As technology makes it easier for people to work together, large-scale collaboration is becoming increasingly prevalent. In this context, the question of how to determine authorship – and hence ownership – of copyright in collaborative works is an important question to which current copyright law fails to provide a coherent or consistent answer. In Copyright and Collective Authorship, Daniela Simone engages with the problem of how to determine the authorship of highly collaborative works. Employing insights from the ways in which collaborators understand and regulate issues of authorship, the book argues that a recalibration of copyright law is necessary, proposing an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.

By Victoria Reid (1996, French & German)

This comprehensive exploration of curiosity in the fiction and life-writing of André Gide (1869–1951) is an important modernist contribution to the field of curiosity in literature and cultural studies more broadly. Curiosity was a credo for Gide. By observing the world and then manifesting in writing these observations, he stimulates the curiosity of readers, conceived as virtual conduits of a curiosity once his own. Using a thematic structure of sexual, scientific and writerly curiosity, this volume identifies processes of curiosity in the life-writing (including the travel-writing) which illuminate processes in the fiction, and vice versa. Theories of fetishism, gender and sexuality are applied to Gide’s corpus to illustrate his championing of a masculine curiosity of enlightenment and adventure over a feminised ‘curiosité-défaillance’ of disobedience and harm, and to explore objects eliciting his incuriosity. Gide’s creativity is nourished by his curiosity, as close readings of his work informed by Melanie Klein’s psychoanalytic writing on epistemophilia reveal. Curiosity is a rewarding, non-reductionist perspective from which the exceptional variety of Gide’s subject matter, style and genre can be more coherently understood. Research draws principally on the six Pléiade volumes of Gide’s œuvre, published 1996–2009.

Victoria Reid is also the co-editor, with Andrew Radford, of Franco-British Cultural Exchanges, 1880-1940: Channel Packets (London: Palgrave Macmillan, 2012).