Professor Benjamin Morgan

Benjamin Morgan’s main research interests are in German intellectual history (medieval mysticism, Nietzsche, early psychoanalysis, Heidegger, the Frankfurt School); German film (Fritz Lang, Leni Riefenstahl, the ‘Heimat’ film) and comparative literature. He has also worked on contemporary writing (Jelinek, Trojanow, McEwan). His current book project engages critically with the work of the Frankfurt School during the 1930s and 1940s to elaborate a model of socially committed, reflexive interdisciplinarity for the 21st century.

Benjamin is also the Modern Languages Coordinator for Oxford Comparative Criticism and Translation.

German language and literature: special interests in German intellectual history; German film; the cross-over between the cognitive sciences and phenomenology

I supervise graduate work on the cultural history of the German speaking world from the late 19th century to the present: literature, philosophy, film and other cultural institutions in a cultural context.

DPhil topics supervised to date: German film 1930-1950; Heidegger and French post-structuralism; Heidegger and Nietzsche; the ‘Neues Museum’ as a new paradigm of cultural memory; the everyday in Berlin and Vienna circa 1900; Journal Culture in the Weimar Republic; Agency in the films of Petzold, Akın, Tykwer; Genre in contemporary German narrative film, esp. Dominik Graf; The poetry of Thomas Kling in the context of BRD in the 1970s and 1980s; a comparative approach to the work of Thomas Bernhard; the international high and pop cultural reception of Thomas Mann’s ‘Zauberberg’; Embodied cognition in German modernism; the metaphor of ‘games’ in Wittgenstein and Hermann Hesse; Gerda Walther’s phenomenology in the context of German modernism; Walter Benjamin and Calderon; Wittgenstein, creativity and AI.